Ryan, our music guy, is also working on another project right now, called Seyken: Crystal Kingdom. I’m going to do a post about this project sometime soon, because it’s awesome, but I’d rather not rush it and fail to do it justice.
One thing Ryan’s struggled with for the past few years is a lack of decent orchestral sound libraries to work with – he did amazing stuff, IMO, with the tools he had, but he always complained about the limitations of what he was working with (in terms of expressiveness and flexibility), and a substantial part of “doing good work with lousy tools” came from carefully avoiding the weaker instruments in the libraries he had. Which is fine some of the time, but sometimes you really want to do an epic string section, and without the right tools, you can write the best sheet music for it, but crummy midi-sounding samples just won’t do it justice. Buying better ones is tough when you’re on a shoestring budget.